Don't Hold Your Breath, BRIANEWING: Whoah… bobskeleton: I’m thinking...

BRIANEWING:Whoah…bobskeleton:

I’m thinking about getting another tattoo on my right forearm this time to match the one above. My right arms getting jealous of how pretty the other one is. Only thing is I can’t think of how I want the other one to look, I know I want the scroll to match the other with more lyrics in, but what kind of head! I was gonna book in with Joe, but he’s only doing legs at the moment and if I can’t think of how I want my lady to look then there’s no point! BUT SOON. I never thought I’d be addicted to getting them, I thought I would have stopped at one and now I have four D:

I’m thinking about getting another tattoo on my right forearm this time to match the one above. My right arms getting jealous of how pretty the other one is. Only thing is I can’t think of how I want the other one to look, I know I want the scroll to match the other with more lyrics in, but what kind of head! I was gonna book in with Joe, but he’s only doing legs at the moment and if I can’t think of how I want my lady to look then there’s no point! BUT SOON. I never thought I’d be addicted to getting them, I thought I would have stopped at one and now I have four D:

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BRIANEWING.com

While he’s become a sought-after household name for record labels and agencies, Brian Ewing has stayed true to the independent spirit of his art, and his style has developed over time. “At first I was just happy to get a chance to draw stuff and work with my favorite bands,” he says of his early punk rock posters. But with his growth from poster artist to full-blown fine artist, he’s followed in the footsteps of his heroes and mentors--Frank Kozik, Coop, Tara McPherson and many others--building an instantly recognizable stylistic empire.

Although Ewing has transformed into one of rock music and pop art’s most prolific, iconic image-makers, remaining down-to-earth and staying inspired are key elements to the growth of his rebellious art empire.
With his first monograph, “Don’t Hold Your Breath: The Art Of Brian Ewing,” which publisher Dark Horse allowed him to lay out himself, the reader can see the progression and maturation of his imagery, from power-packed and densely composed rock posters to the nuanced, deceptively simple and subversive works of more recent vintage. What’s next? Only Ewing knows, but no matter what, it will be unmistakably his.

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